after effects how Add a Solid Background

after effects how Add a Solid Background

You create a solid layer when you need an opaque background for a ... You can even use this type of layer to create text effects within After

Layers in the Layer, Composition, and Timeline panels
After you add a layer to a composition, you can reposition the layer in the Composition panel. In the Timeline panel, you can change a layer's duration, starting time, and place in the layer stacking order. You can also change any of the properties of a layer in the Timeline panel.

You can perform many tasks—such as drawing masks—in either the Composition panel or the Layer panel. However, other tasks—such as tracking motion and using the paint tools—must be performed in the Layer panel.

The Layer panel shows you a layer before any transforms are applied to the layer. For example, the Layer panel does not show the result of modifying the Scale property of a layer. To see a layer in context with other layers and with the results of transforms, use the Composition panel.

Layers that are not based on a source footage item are synthetic layers. Synthetic layers include text layers and shape layers. You cannot open a synthetic layer in the Layer panel. You can, however, precompose a synthetic layer and open the precomposition in the Layer panel.

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Understanding compositions after effects

Understanding compositions after effects

Each composition has its own settings for resolution, duration, etc. These are independent of the main project and other compositions. You define these settings when you create a new composition, and you can also change them at any time by selecting Composition > Composition Settings from the main menu (shortcut Crtl/Cmd+K).

For most compositions one of the presets will be suitable but you can customize settings as you like.

Note: See composition duration for a couple of tips on setting the duration.

The Advanced tab includes a few advanced options as pictured below. In most cases you can ignore these.

It is usually best to make the composition settings the same as the footage, e.g. Don't change the frame rate unless you really need to. Fortunately, After Effects provides an easy way to create new compositions from footage using the correct settings. Simply drag the footage from the project panel to the Create New Composition icon as pictured below. Bingo — a new composition with exactly the same settings as the footage.

Note: If you click the Create New Composition icon instead of dragging a file onto it, a new empty composition is created.
The next step of the workflow is to create a composition, in which you will create all animation, layering, and effects. An After Effects composition has both spatial dimensions and a temporal dimension, called a duration, or length in time.

Compositions include one or more layers, arranged in the Composition panel and in the Timeline panel. Any item that you add to a composition—such as a still image, moving-image file, audio file, light layers, camera layers, or even another composition—becomes a new layer. Simple projects may include only one composition, whereas elaborate projects may include several compositions to organize large amounts of footage or intricate effects sequences.

To create a composition, you'll drag the footage items into the Timeline panel, and After Effects will create layers for them. Follow these steps:

In the Project panel, Ctrl-click (Windows) or Command-click (Mac OS) to select the bgwtext composition as well as the DJ, gc_adobe_dj, kaleidoscope_waveforms, and pulsating_radial_waves footage items.
Drag the selected footage items into the Timeline panel. The New Composition from Selection dialog box appears

After Effects bases the size of the new composition on the selected footage. In this example, all of the footage is sized identically, so you can accept the default settings.

Click OK to create the new composition. The footage items appear as layers in the Timeline panel, and After Effects displays the composition, named bgwtext 2, in the Composition panel.
Click in the Timeline panel to make it active, and then press F2 to deselect all layers.
When you add a footage item to a composition, the footage becomes the source for a new layer. A composition can have any number of layers, and you also can include a composition as a layer in another composition, which is called nesting.

About Layers

Layers are the components you use to build a composition. Any item that you add to a composition—such as a still image, moving-image file, audio file, light layers, camera layers, or even another composition—becomes a new layer. Without layers, a composition consists of only an empty frame.

Using layers, you can work with specific footage items in a composition without affecting any other footage. For example, you can move, rotate, and draw masks for one layer without disturbing any other layers in the composition, or you can use the same footage in more than one layer and use it differently in each instance. In general, the layer order in the Timeline panel corresponds to the stacking order in the Composition panel.

This composition contains five footage items and therefore five layers in the Timeline panel. Depending on the order in which the elements were selected when you imported them, your layer stack may differ from the one shown in this example. The layers need to be in a specific order as you add effects and animations, however, so you'll rearrange them now.

Drag bgwtext to the bottom of the layer stack (if it isn't already there). Drag the other four layers 

NOTE

You may need to click a blank area of the Timeline panel or press F2 to deselect layers before you can select an individual layer.

From this point forward in the workflow, you should be thinking about layers, not footage items. You'll change the column title accordingly.

Click the Source Name column title in the Timeline panel to change it to Layer Name, as shown in Figure 6.
Choose File > Save to save your project so far.

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Create Smooth Slow Motion Using Adobe After Effects

Create Smooth Slow Motion Using Adobe After Effects

Speeding up or slowing down an entire layer by the same factor throughout is known as time-stretching. When you time-stretch a layer, the audio and the original frames in the footage (and all keyframes that belong to the layer) are redistributed along the new duration. Use this command only when you want the layer and all layer keyframes to change to the new duration.
If you time-stretch a layer so that the resulting frame rate is very different from the original frame rate, the quality of motion within the layer may suffer. For best results when time-remapping a layer, use the Timewarp effect.

Time-stretch a layer from a specific time
In the Timeline or Composition panel, select the layer.
Choose Layer > Time > Time Stretch.
Type a new duration for the layer, or type a Stretch Factor.
To specify the point in time from which the layer will be time-stretched, click one of the Hold In Place options, and then click OK.
Layer In-point Holds the starting time of the layer at its current value and time-stretches the layer by moving its Out point.
Current Frame Holds the layer at the position of the current-time indicator (also the frame displayed in the Composition panel), and time-stretches the layer by moving the In and Out points.
Layer Out-point Holds the ending time of the layer at its current value and time-stretches the layer by moving its In point.
Time-stretch a layer to a specific time
In the Timeline panel, move the current-time indicator to the frame where you want the layer to begin or end.
Display the In and Out columns by choosing Columns > In and Columns > Out from the Timeline panel menu.
Do one of the following:
To stretch the In point to the current time, press Ctrl (Windows) or Command (Mac OS) as you click the In time for the layer in the In column.

To stretch the Out point to the current time, press Ctrl (Windows) or Command (Mac OS) as you click the Out time for the layer in the Out column.

Time-stretch a layer but not its keyframes
When you time-stretch a layer, the positions of its keyframes stretch with it by default. You can circumvent this behavior by cutting and pasting keyframes.

Make a note of the time at which the first keyframe appears. (Placing a composition marker is a good way to mark the time.)
In the Timeline panel, click the name of one or more layer properties containing the keyframes you want to keep at the same times.
Choose Edit > Cut.
Move or stretch the layer to its new In and Out points.
Move the current-time indicator to the time at which the first keyframe appeared before you cut the keyframes.
Choose Edit > Paste.
This seems to be the most common question with After Effects so here's a tutorial that will show you how to export/render in After Effects.

1. Generally when working in After Effects you'll constantly be setting the work area start/end points (B key / N key) so you can preview only the part of your composition that you're working on. Before you add your composition to the render queue you'll need to reset this (assuming you want to render the whole composition).
2. Place the playhead at the start of your composition. You can drag, but pressing the home key is the easier and more reliable method.
3. Now that the playhead is in the right location press B to set the work area start location. Again, you could drag the bar below the playhead, but using the shortcut keys is easier, more efficient, and more reliable.
4. Now drag the playhead to the end of the composition or press the end key.
5. Press the N key and set your work area end location. Then add the composition to the render queue.
6. The Render Queue tab will appear in the timeline area. I'll be leaving the name of my file and output location alone, but if you want to give your movie a filename to be saved as you would click on the "Comp1.mov" text and it would bring up the "Output Movie To" menu. The menu will also allow you to change the location of where your movie will be saved.

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nesting compositions after effects

nesting compositions after effects

Each composition has its own settings for resolution, duration, etc. These are independent of the main project and other compositions. You define these settings when you create a new composition, and you can also change them at any time by selecting Composition > Composition Settings from the main menu (shortcut Crtl/Cmd+K).

For most compositions one of the presets will be suitable but you can customize settings as you like.

Note: See composition duration for a couple of tips on setting the duration.

The Advanced tab includes a few advanced options as pictured below. In most cases you can ignore these.

It is usually best to make the composition settings the same as the footage, e.g. Don't change the frame rate unless you really need to. Fortunately, After Effects provides an easy way to create new compositions from footage using the correct settings. Simply drag the footage from the project panel to the Create New Composition icon as pictured below. Bingo — a new composition with exactly the same settings as the footage.

Note: If you click the Create New Composition icon instead of dragging a file onto it, a new empty composition is created.
The next step of the workflow is to create a composition, in which you will create all animation, layering, and effects. An After Effects composition has both spatial dimensions and a temporal dimension, called a duration, or length in time.

Compositions include one or more layers, arranged in the Composition panel and in the Timeline panel. Any item that you add to a composition—such as a still image, moving-image file, audio file, light layers, camera layers, or even another composition—becomes a new layer. Simple projects may include only one composition, whereas elaborate projects may include several compositions to organize large amounts of footage or intricate effects sequences.

To create a composition, you'll drag the footage items into the Timeline panel, and After Effects will create layers for them. Follow these steps:

In the Project panel, Ctrl-click (Windows) or Command-click (Mac OS) to select the bgwtext composition as well as the DJ, gc_adobe_dj, kaleidoscope_waveforms, and pulsating_radial_waves footage items.
Drag the selected footage items into the Timeline panel. The New Composition from Selection dialog box appears

After Effects bases the size of the new composition on the selected footage. In this example, all of the footage is sized identically, so you can accept the default settings.

Click OK to create the new composition. The footage items appear as layers in the Timeline panel, and After Effects displays the composition, named bgwtext 2, in the Composition panel.
Click in the Timeline panel to make it active, and then press F2 to deselect all layers.
When you add a footage item to a composition, the footage becomes the source for a new layer. A composition can have any number of layers, and you also can include a composition as a layer in another composition, which is called nesting.

About Layers

Layers are the components you use to build a composition. Any item that you add to a composition—such as a still image, moving-image file, audio file, light layers, camera layers, or even another composition—becomes a new layer. Without layers, a composition consists of only an empty frame.

Using layers, you can work with specific footage items in a composition without affecting any other footage. For example, you can move, rotate, and draw masks for one layer without disturbing any other layers in the composition, or you can use the same footage in more than one layer and use it differently in each instance. In general, the layer order in the Timeline panel corresponds to the stacking order in the Composition panel.

This composition contains five footage items and therefore five layers in the Timeline panel. Depending on the order in which the elements were selected when you imported them, your layer stack may differ from the one shown in this example. The layers need to be in a specific order as you add effects and animations, however, so you'll rearrange them now.

Drag bgwtext to the bottom of the layer stack (if it isn't already there). Drag the other four layers 

NOTE

You may need to click a blank area of the Timeline panel or press F2 to deselect layers before you can select an individual layer.

From this point forward in the workflow, you should be thinking about layers, not footage items. You'll change the column title accordingly.

Click the Source Name column title in the Timeline panel to change it to Layer Name, as shown in Figure 6.
Choose File > Save to save your project so far.

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after effects 60D Smooth Slow Motion

after effects 60D Smooth Slow Motion

To get the "super slow motion", after I filmed at 60fps, I through it into the program "After Effects". I used an effect that comes with the program called "Time Warp". This allowed me to make the 60fps, to 1000fps. The way this works is the computer processes/adds frames in between the frames that are already in existence. It took several days for the computer to process the clips into the super slow motion that appears as well, so it does take a lot out of the computer, as far as processing goes. Another similar program that does something similar to this slow motion effect, is a program called "Twixtor". It's another great program that is very similar, however you have to buy it as a separate plugin, and it is a little expensive, but if you do a lot of slow motion, it's totally worth it :)
The concept and the acting was cheesy and silly, but creating this video was 100% pure fun.
I decided to shoot the whole sequence in a 720P 60 fps mode, with the intent of slowing some parts down for true slow motion in the 24 fps edit line. I was a little concerned about the lack of sharpness compared to 1080p, but GH2 holds up very well — much better than T2i.
I inserted "Bill + Kathy" (dropzone and the airplane owners) at 00:13 in After Effects, for a little gag the locals might appreciate. Motion tracking with Mocha worked well, as usual. Photoshopped decal slipped a little during tracking, but you really had to look frame by frame.
I forgot about the 180 shuttle rule at 00:46, shooting it in 1/50 by accident instead of 1/125, resulting in undesirable motion artifact for some indoor shots. Freefall footage, however, shot in 1/200 shuttle speed, looked pretty good in slow motion, with the footage conformed from 60 to 24 fps.
For color grading, Magic Bullet Mojo was used for ground footage. It turned out a little dark, so lightened it a little using Colorista. For skydiving footage, Colorista was used, bringing up the shadows and giving a slight greenish tint. I added a little yellow to the midrange and a bit of red to lightend hilights.
As I use the GH2 more, I really could use for shallow DOF. I need to get a faster lens. For technical aspect of achieving slow motion

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